
20th Century Ghosts

Notes on the Audible Edition: David Ledoux has a unique narrative voice. Every story herein is worth a read, but David's narration gives them that little something extra that just makes 'em pop. On the down side, the music, while thoroughly creepy, was produced at an entirely different volume than the spoken word. I had to turn down my device every time a story ended for fear of rupturing my ear drums when the musical intro for the next story began. Other than that, I recommend the Audible version.
Now, I will not be reviewing each and every story because they're all above average. I will warn that some of these tales have no ending. They are not open endings, or bad ending, but the stories of which I speak are completely devoid of any closing scene. They simply STOP. A perfect example of this is the opener, "Best New Horror", which is also one of the best stories in the collection. My absolute favorite story in the collection is "Pop Art", and that's because of the sheer originality of the tale. Going into 20th Century Ghosts, I knew nothing about "Pop Art", and I hope you have the same option. Even giving you a brief, vague synopsis would ruin the experience, so I will move on. Other notable tales are "20th Century Ghost", "The Black Phone", "The Cape" (which has one of the best endings I've ever read where short stories are concerned), and the uber imaginative "Voluntary Committal". The only story I disliked was "Abraham's Boys". Hill tried too damn hard to breathe new life into overused, out-of-date characters, and it resulted in the book's only failure. That one story slowed the book down and gummed up the collection's works so badly I was compelled to knock off a full star from the overall rating. Yes, it was that bad. If I had to rate "Abraham's Boys" on its own, I would give it two stars. Everything else gets fours and fives.
You should know that these are not short stories; not technically anyway. Hill suffers the same what-ails-him as his father. Neither man seems to grasp the concept of "short", but they write so damn well that you barely notice that their outings are more along the line of novelettes and novellas than they are short stories.
In summation: A terrific collection of longer short stories, and far more literary in scope than your average horror anthology. If you're a fan of Stephen King's Skeleton Crew or Neil Gaiman's Smoke and Mirrors, you should enjoy 20th Century Ghosts.
(A Note to Completionists: Hill hides a short story in the afterward, so make sure you don't skip the acknowledgment section. You're welcome.)